Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Joseph-Siffred Duplessis
Madame Freret-Dericour

ID: 01024

 Joseph-Siffred  Duplessis Madame Freret-Dericour
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 Joseph-Siffred  Duplessis Madame Freret-Dericour


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Joseph-Siffred Duplessis

  Related Paintings of Joseph-Siffred Duplessis :. | Isaak Brodsky | Two Men Contemplating the Moon (mk10) | stort stilleben med rikt jakbyte | Girl with A Grey Cat | European city landscape, street landsacpe, construction, frontstore, building and architecture. 269 |
Related Artists:
Gerardus Laurentius Keultjes
painted The assault on Algiers by the allied Anglo-Dutch squadron in 1817
NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).
Palma il Vecchio
(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.






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